OUR CONVERSATIONS

‘Welcome to Babel’ nominated for 2025 AIDC award

  • February 26, 2025
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Claire O’Rourke on climate action

  • February 25, 2025
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Figure/Ground: The Art of Jemima Wyman

  • February 21, 2025
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Belvoir/Song of First Desire

  • February 19, 2025
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Indigenous voice architect Megan Davis in select company

  • January 25, 2025
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Omega Ensemble 2025: Celebrating 20 years of music

  • November 29, 2024
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Simone Young Conducts Mozart’s Jupiter

  • November 10, 2024
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Zindzi Okenyo on directing Lynn Nottage’s Sweat

  • October 29, 2024
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Mozart’s sister: a documentary on two levels

  • October 1, 2024
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SEND FOR NELLIE: REVIEW

  • January 14, 2024
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‘We will move forward’: Jake Nash looks to the future after Voice disappointment

  • January 5, 2024
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Arts organisations say they want to be ‘cultural leaders’ – but are they living up to their goals?

  • November 10, 2023
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REVIEW: The Master and Margarita – a magical dance with the devil

  • November 10, 2023
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REVIEW: En Coda Symphony Orchestra, Nelson Meers Hall in Art Gallery Of NSW

  • October 6, 2023
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A thousand flowers in bloom: data access and sharing for a stronger Australia

  • September 15, 2023
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Amadeus

  • December 31, 2022
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Move over Sydney Opera House – there’s a new superstar in town

  • November 29, 2022
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How our actors build our global image

  • October 19, 2022
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Del Kathryn Barton’s BLAZE

  • July 20, 2022
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‘Everyone recognises it’: The life-changing impact of a Miles Franklin nod

  • July 14, 2022
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Del Kathryn Barton leads us into a fantastical realm with her film, Blaze

  • May 6, 2022
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10 years of the Stella: how Australia’s women’s writing prize changed a nation’s literature

  • October 7, 2021
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The power of documentary in laying bare the misogyny experienced by Julia Gillard

  • September 17, 2021
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The Social Impact of Australia’s Arts & Cultural Sector

  • February 19, 2021
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The Chau Chak Museum opens

  • November 2, 2020
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As we turn to creativity in isolation, the coronavirus is a calamity on top of an arts crisis

  • May 8, 2020
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Charmene Yap steps into a new role at SDC

  • February 20, 2020
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BELVOIR highlights stories of people pushing back against giants on world stage

  • September 2, 2019
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‘Songlines are our poems, they are the maps of our journeys’: Red Room Poetry

  • March 26, 2019
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Women in Theatre – Interview with Louise Gough, Belvoir

  • March 8, 2019
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Voices from the past speak to the present

  • May 31, 2018
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Can Art Really Make a Difference?

  • May 4, 2018
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Into the Wild: Artistic Director Eamon Flack’s vision for Belvoir

  • April 6, 2018
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One of the biggest art installations ever seen in Sydney is coming to Carriageworks

  • November 29, 2017
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This is Your Brain On Art

  • September 18, 2017
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Creating a lifetime love of literature

  • August 28, 2017
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The Passion of Shigeru Ban

  • April 7, 2017
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An encounter with time: Juliet Darling’s “WAIT”

  • December 23, 2016
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A Good360 Time for Giving

  • November 17, 2016
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Interview with Dr. Mitzi Goldman, CEO Documentary Australia

  • November 4, 2016
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Walk Through Walls: Marina Abramović on Art, Fear, Taking Risks, and Pain as a Focal Lens for Presence

  • November 4, 2016
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Architect Vo Trong Nghia meditates on creative process

  • October 21, 2016
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Stella’s ‘Girls Write Up’ tells kids good writing starts with having something to say

  • June 24, 2016
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Artist Mella Jaarsma: Give Me Shelter

  • March 14, 2016
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Fostering progressive educational and social change

  • August 14, 2015
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The Story behind Riz, Curiousworks’ debut feature film

  • May 15, 2015
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Labyrinths in Prisons and Hospitals Might Actually Help People Relax

  • May 8, 2015
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Shaun Gladwell: A project across two sites

  • March 6, 2015
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