Community Day Supports Development of The Coconut Children

The next national cultural policy must put artistic freedom before ‘social cohesion’

Boss Cat Premieres at Sydney Film Festival 2026

Basic Income for the Arts pilot scheme – an Irish case study

Indigigrow and The Bread & Butter Project join forces

How Pauline Hanson and RuPaul helped this Australian composer to success

Suzie Miller: ‘Someone actually said to me, ‘Oh, women can’t write plays’’.

Sister-in-law dreaming: AN EXHIBITION OF PHOTOGRAPHY

Howl (Omega Ensemble) Review

Tina Arena and Georges Antoni ‘I just have to surrender’

Sri Lankan Australian Playwright S Shakthidharan Wins Prestigious $250,000 Award

Welcome to Babel free to view on SBS on Demand

Maria Anna Mozart Concert Tour brings cinematic experience to audiences across Australia

Jemima Wyman: Deep Surface at QUT Art Museum in 2026

Centennial Park Labyrinth: The Opening Ceremony – A lovely circle completing itself

Tina Arena AM and Georges Antoni In Conversation

A Call For Australian Governments To Meet This Moment On The Global Stage

Should social media algorithms be opt-in?

It Starts With Us: the documentary and its impact campaign

Raising the profile of people with disability in film

A Universal Symbol

Shrinking casts, diminished reach, less ambition: the arts in Australia needs more than just tax reform

Playwright Tom Wright on the purpose of creativity

Federal Court rules Australian government doesn’t have a duty of care to protect Torres Strait Islanders from climate change

Margaret Olley Quilty Portrait Acquired by Tweed Regional Gallery

2025 Women in Media Oration

The Wrong Gods / Belvoir

Interview with Pamela Rabe

Welcome to Babel nominated for 2025 AIDC award

Claire O’Rourke on climate action

Figure/Ground: The Art of Jemima Wyman

Belvoir/Song of First Desire

Indigenous voice architect Megan Davis in select company

Omega Ensemble 2025: Celebrating 20 years of music

Simone Young Conducts Mozart’s Jupiter

Zindzi Okenyo on directing Lynn Nottage’s Sweat

Mozart’s sister: a documentary on two levels

Our latest show to take on the world

Baleen Moondjan, Adelaide festival 2024: giant whalebones pierce the sunset for ‘transformative’ opening night

SEND FOR NELLIE: REVIEW

‘We will move forward’: Jake Nash looks to the future after Voice disappointment

Arts organisations say they want to be ‘cultural leaders’ – but are they living up to their goals?

REVIEW: The Master and Margarita – a magical dance with the devil

REVIEW: En Coda Symphony Orchestra, Nelson Meers Hall in Art Gallery Of NSW

A thousand flowers in bloom: data access and sharing for a stronger Australia

Amadeus

Move over Sydney Opera House – there’s a new superstar in town

How our actors build our global image

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